Thứ Năm, 4 tháng 10, 2007

Gai xinh - Beauty girl 07


Models in bright cocktail dresses and long gowns in his signature red, or with polka dots and ruffles, glided down a mirrored catwalk before twirling in front of the cameras.

Party music accompanied the show, with the models dancing at the end and guests rising for the obligatory standing ovation.

One of the undisputed kings of fashion, Valentino will retire in January after a final haute couture show and hand the reins to relatively unknown designer Alessandra Facchinetti.

"This is the one before the last and I want to do my best, and why not?" the 75-year-old Valentino asked.

"I am full of joy and a little emotional of course, and I am very strong because as I told you ... I leave the room, but the room is still full."

His departure follows the sale of his Valentino Fashion Group to the European private equity group Permira, which industry insiders have said want a younger, more innovative designer to help it expand to new markets.

Anna Piaggi of Italian Vogue thought it was time for a change, saying Valentino needed some new ideas.

"It's boring," she said after the show. "It's not good, it's not modern. Why do we constantly say it's beautiful? Why?"

IRREPLACEABLE

Valentino's signature scarlet evening gowns have long made him a hit for red carpet events, where he has dressed famous names like Jacqueline Kennedy Onassis, Audrey Hepburn and Julia Roberts. His conservative style still attracts many fans.

"It's very definitely the end of an era. Valentino is irreplaceable," said Hilary Alexander, fashion director at Britain's Daily Telegraph newspaper.

"He understands his customers, he has a respect for women and a lifelong appreciation of beauty."

Valentino is widely ranked alongside Giorgio Armani and Karl Lagerfeld as the last of the great designers from an era before fashion became a global, highly commercial industry run as much by accountants and marketing executives as the couturiers.


Posted By Unknown07:28

Thứ Hai, 1 tháng 10, 2007

Gai xinh - Beauty girl 06








Gucci chose gold, for lace-up front stilletoes, and Versace and Armani both shaped heels with inward cuts to give an artistic flavor to the footwear.

Bags -- another important accessory for designers -- were big, soft and often carried a side pouch pocket, as at Dolce & Gabbana on Thursday -- enabling women to have the utility of a holdall and the chicness of a handbag together.

"A clutch bag that fits into a tote becomes your new twinset," Downing said.

For many designers, details were not confined to accessories and there were ample amounts of embroidery, ruffles and frills.

Emporio Armani had splashes of silver and sequins on Wednesday, Missoni banded a gold dress with bright turquoise that looked like enameling and Love, Sex, Money on Friday embroidered outfits in silver that gave an almost Turkish feel.

Posted By Unknown07:17

Gai xinh - Beauty girl 05






Shorts or short skirts were favored by many brands, from hot pants at Blumarine to shorts at Versace and then trousers tied just above the knee at Giorgio Armani's two collections.

And if the trousers were long, they were almost all wide-legged and loose, with Dolce & Gabbana's D&G line labeling them "elephant foot."

Many designers opted for soft, flowing fabrics that they could layer for a selection of effects through teasingly transparent to full flounces.

Miuccia Prada, often seen as one of Milan's most innovative designers, used huge petals of tissue-like silk hung on the hips of dresses or draped across shoulders.

Posted By Unknown07:15

Gai xinh - Beauty girl 04


And if hemlines really are a barometer of financial markets, current stock market falls will be short-lived as many skirts were short, either swinging full in 1950s style or pencil slim.

"The continuing message ... is colour, which is going to be very exciting for customers," Ken Downing, fashion director at Neiman Marcus in New York told Reuters.

Jil Sander, Marni and Burberry all used bold colors, while Donatella Versace ended her show on Thursday with a series of sweeping, slim evening gowns in jade, yellow, pink and turquoise -- a colour that seemed in every designer's paintbox.

At Gucci, designer Frida Giannini used a black and white base for her patterns but liberally splashed them with bright yellow and bubblegum pink.


Posted By Unknown07:13

Gai xinh - Beauty girl 03







But while the guts of the collection were very fine and highly flattering clothes - the jodhpurs made the models look, if anything, too thin, meaning they will be very flattering for "normal women" - the beginning and finale were both more problematic.

Odd, and not terribly alluring floral prints whose petals seemed more like IED explosions failed to flatter. Plus whatever gave Giannini the idea of pairing some huge grand ball gowns with suede faux Lonsdale belts - a seriously dumb stylistic move - mystified us.

That said, one revealing fact about a designer's skill and commercial appeal is whether they wear their own season's clothes when they take their finale bow. Surprisingly few do it better than Frida Giannini, who looked, hang it all, better than most of the models when she took her bow like the poshest of punkettes, wearing the best items in her own collection.

Posted By Unknown07:11

Gai xinh - Beauty girl 01





Her big obsession this season is posh punk clothing, the sort of clothes fans of The Clash donned when they went to hear Joe Strummer sing "The Whiteman in the Hammersmith Palais."

So we got check rockabilly shirts, tight bubble pink schoolgirl jackets, and taut wee black, and rather brilliantly cut, scrawny punkette jodhpurs. Admittedly the savvy casting - from Natasha Poly and Raquel Zimmerman to new gals Masha and Marina L - who wore this Spring/Summer 2008 collection looked like they were thoroughly scrubbed and showered, unlike the scruffy punky lasses one used to run across at CBGBs, back in the day…

Posted By Unknown07:05

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Posted By Unknown07:01